When I arrived at the University of Houston Special Collections a year and a half ago as the first dedicated Audiovisual Archivist in the department, I was delighted to discover that UH was home to the KUHT Collection. I personally have a long-time love of public broadcasting, and KUHT holds the notable, and perhaps surprising, title of the “first educational non-profit television” in the country. Educational television was championed in the 1950s as a way to turn every living room into a classroom and would eventually evolve into what we know today as the Public Broadcasting Service (PBS).
One of my first tasks was to gain better intellectual control of the collection in order to help set preservation priorities and ensure access to researchers. Under the guidance of Special Collections Program Manager Matt Richardson, several dedicated and hardworking student workers shifted over 2,000 films and 10,000 videos out of boxes and to new dedicated AV shelving. This new shelving meant that videos could be stored standing up on edge, rather than stacked in boxes, which put the fragile tapes at risk of damage.
The improved storage method also allowed for easier access to tapes for inventory purposes. Working on and off on the inventory over the past year, I am now nearing completion, with just a handful of shelves left to go. Over the year, I have learned a lot about the programming of KUHT over their sixty-three-year history. I’ve come across such curious titles as “Heartbreak Turtle” and “Teenager: A Disease of What?” as well as moments of historical significance captured on film, such as an early 1960s interview with Houston civil rights leader Rev. William A. Lawson. One of my personal favorites from the collection is the series, “People are Taught to Be Different,” available to view on the UH Digital Library. This series, a 1956 collaboration between KUHT and Dr. Henry Allen Bullock from TSU, utilizes interpretive dance and narration to describe the universality of emotion across race, nationality, and culture.
In an effort to make these materials more readily accessible to the public, the KUHT Collection finding aid has been updated to note the extent of the audiovisual holdings, and now includes an abridged list of collection titles, with an eventual eye at making the entire inventory available online. Furthermore, we have digitized and posted one pre-existing Rolodex-style catalog of 1″ Video for researchers to use. Our hope is that this resource will be a valuable asset to those with an interest in the history of public television, Houston, and the many other topics touched upon in six decades of non-profit television productions.
Last week we lost a Houston basketball icon in Dwight Elmo Jones, who passed away on July 25, 2016 after battling a heart ailment over a number of years.
Before Clyde Drexler dunked his way to H-Town fame at Sterling High School, helped establish Texas’ Tallest Fraternity, and claimed an NBA title with his hometown Houston Rockets, Dwight Jones had already established himself as arguably the greatest high school basketball player in Houston history. Born in 1952 in Houston, Jones led Wheatley High School to three straight state championships from 1968 to 1970, played for the Cougars from 1971 to 1973, and even contributed to the Houston Rockets, from 1976 to 1979.
Coaches and teammates of Jones remember him being a special talent from a young age. Playing as a man among boys, playground lore suggests he was already dunking a basketball in the seventh grade. In high school, his Wheatley Wildcats racked up a remarkable 102-2 record and as a senior he averaged 28 points and 24 rebounds a game for the Wildcats in the newly desegregated University Interscholastic League. Recruited by the legendary Guy V. Lewis, Jones played on two NCAA Tournament teams for the Cougars while also leading the 1972 USA Olympic team in scoring before being ejected in the infamous gold medal game, as the Americans fell to the Soviets. Jones was drafted by the Atlanta Hawks in 1973 before joining the Rockets in 1976. His career in the NBA would run through the early 1980s and include stops with the Chicago Bulls and the Los Angeles Lakers.
A fierce competitor, his resolve was no doubt tested when he heard himself declared dead prematurely in an emergency room in 2012. Yet, to everyone’s surprise (except perhaps those closest to him), he survived the surgery and battled his illness with a fervent spirit for nearly four more years. In remembering Jones, current University of Houston Head Coach Kelvin Sampson said, “Dwight was a tremendous competitor, who represented the University of Houston and his nation well during his playing career. While his health declined in recent years, he faced those challenges with the same courage and spirit that made him one of our program’s greats. Tonight, our hearts go out to Dwight’s family and friends and all those who knew and loved him.” The Jones family has established a gofundme page to help defray the expenses they now face.
The University of Houston Special Collections and University Archives are proud to announce the publication of the finding aid for the Professor Jay K. Kochi Papers.
Known as a leader in the field of organic chemistry, Dr. Jay Kazuo Kochi (1927-2008) was born May 17, 1927 in Los Angeles, California. As WWII raged, Kochi’s family was relocated to an internment camp in Arizona when he was 15. Kochi would graduate high school in the camp before studying at UCLA (Bachelor of Science, 1949) and Iowa State (Doctorate, 1952). He worked as an instructor at Harvard (1952-55) and completed a fellowship at Cambridge (1955-56) before going to work as a research scientist in exploratory chemistry for Shell Development Co. (1956-1962). Kochi would later return to academia, holding positions at Case Institute of Technology (or Case Western Reserve), Indiana University, and finally arriving at the University of Houston in 1984.
Best known for developing a one-carbon oxidative degradation of carboxylic acids known as the Kochi Reaction, his career is marked by accolades and recognition. A member of National Academy of Sciences, Professor Kochi was also a recipient of the Alexander Von Humbolt U.S. Senior Scientist Award, the American Chemical Society’s Arthur C. Cope Scholar Award, and the James Flack Norris Award. Inquisitive to the end, Kochi’s continued to contribute his research findings in the field of organic chemistry until his death in 2008 at the age of 81.
The University of Houston Special Collections is honored to offer a home for Dr. Kochi’s papers. As a part of our larger University Archives, the Professor Jay K. Kochi Papers will stand beside the collections of other professors and luminaries who have helped define and guide the University. Spanning over 120 linear feet, the collection includes research, correspondence, photographs, and publications penned by Kochi. Those interested in learning more about the life and career of Dr. Kochi should visit our new finding aid for a detailed inventory of the materials included in the collection. When you are ready to visit, we look forward to assisting you with your research.
Have you noticed the stairs to nowhere? Hiding in plain sight, in the center of the University of Houston campus, next to Philip G. Hoffman Hall, a concrete canopy protects the entrance to what looks like a Cold War bomb shelter. Now abandoned and gathering debris, this is a relic of the university’s soured love affair with underground buildings.
In the 1960s, the campus assumed a more suburban look; new buildings were widely-spaced, separated by expansive lawns and groves of trees. To preserve this park-like setting, university planners tried to hide new buildings beneath lawns or plazas. It was all very logical: A plot of land did double-duty, allowing the university to capture usable space for activities without losing precious open space outdoors.
During this period four buildings and parts of others were placed underground, but by 1980 this fad had run its course. What happened? Public tastes changed as Modern architecture, which brought us the underground buildings, lost favor to more traditional styles. More importantly, university planners recognized the dangers of flooding in low-lying Houston. Flooded streets have always been a nuisance, but flooding from Tropical Storm Allison in 2001 was unprecedented and caused millions of dollars in damage to campus buildings. Today the university does not put buildings underground, and new buildings do not have basements.
But in case you missed them, here are the present and former structures beneath our feet:
University Computing Center (early 1960s)
Buried a few yards north of the Ezekiel Cullen building is a facility that began life in the 1960s as the University Computing Center. When the university moved its mainframe computers to a new building on Elgin Street in 1976, this area became an office annex for E. Cullen. Allison filled it with water. Rather than repair the damage, the university locked the doors and abandoned it.
University Center Annex (1965)
In the mid-1960s the university spent a lot of money to dig a huge hole next to the University Center for an underground annex topped by a plaza. Fifty years later, as part of the UC renovations, the university spent a lot of money to fill in the hole and build the replacement structure on top of it. It has no basement level.
Agnes Arnold Hall (1968)
From the south, Agnes Arnold Hall, a mid-rise tower, appears to rise from a large open courtyard located below street level. The building is reached by a bridge, which spans the courtyard below. In Allison the courtyard, a basement-level lecture hall, as well as elevators and escalators, were all flooded.
Law Center (1970)
The UH Law Center opened in the early 1970s with a group of two-story classroom buildings clustered around a large plaza. Beneath the plaza was the law library. Each of the classroom buildings had an atrium-courtyard; below it was a satellite library in the basement. In Allison the entire lower level flooded, causing catastrophic damage to the library collections.
University Center Satellite (1973)
As the campus expanded to the northwest, university planners grouped the new science and fine arts buildings around a grassy quadrangle. Beneath this lawn was the new University Center Satellite, which provided dining and recreational facilities for students on this end of the campus. This building was inundated in Allison and remained closed for repairs for more than a year.
Hilton Hotel Parking Garage (early 1970s)
When the University Hilton and the adjoining School of Hotel and Restaurant Management were built in the 1970s, the complex included a parking garage. The garage is under the building, reached by a steep ramp from the street. Like all of the other underground structures, it flooded in Allison.
Each summer the Immanuel & Helen Olshan Texas Music Festival provides an opportunity for talented young musicians to come together and learn from professional musicians as well as faculty from the Moores School of Music. This year’s festival performances kicked off June 11 and run through July 2.
In 2013, the University Archives acquired records documenting the history of this distinctive program. The recently processed Immanuel and Helen Olshan Texas Music Festival Records contain concert programs, publicity and press materials, a scrapbook, as well as concert recordings covering the history of the festival from 1985 to 2013.
In addition to documenting a vital part of the city and the University’s musical landscape, the Immanuel & Helen Olshan Texas Music Records also exemplify the changing nature of the archival record, and the challenges repositories face along with it. While the paper portion of the TMF records is comparatively small, the records also include over 200 digital recordings. These recordings arrived on CDs, an unstable media not suitable for long-term archival storage. The TMF records arrived just as the department was beginning to explore in earnest methods for accessioning born digital materials and transferring files to secure digital archival storage. As Special Collections has continued to acquire collections containing a variety of digital media formats, we continue to improve our processes for preserving, describing, and providing access to these materials.
For now, the digital concert recordings are minimally described in the finding aid with an overview of what is available, including the date range of recordings. Researchers, performers, or fans wanting to get more detail on the recordings—including dates, soloists and conductors, and pieces played for specific concerts—are encouraged to contact University Archivist Mary Manning with inquiries. With advance request, the concert recordings can be made available for listening on a computer in our reading room.
As they record a dynamic cultural and educational event, it is only appropriate that the Immanuel and Helen Olshan Texas Music Festival Records also help orchestrate a transition in the archives to a new era in collecting, preserving, and making accessible our cultural heritage.