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The Immanuel and Helen Olshan Texas Music Festival Records

Department News, Finding Aids, University Archives

Each summer the Immanuel & Helen Olshan Texas Music Festival provides an opportunity for talented young musicians to come together and learn from professional musicians as well as faculty from the Moores School of Music. This year’s festival performances kicked off June 11 and run through July 2.

In 2013, the University Archives acquired records documenting the history of this distinctive program. The recently processed Immanuel and Helen Olshan Texas Music Festival Records contain concert programs, publicity and press materials, a scrapbook, as well as concert recordings covering the history of the festival from 1985 to 2013.

In addition to documenting a vital part of the city and the University’s musical landscape, the Immanuel & Helen Olshan Texas Music Records also exemplify the changing nature of the archival record, and the challenges repositories face along with it.  While the paper portion of the TMF records is comparatively small, the records also include over 200 digital recordings. These recordings arrived on CDs, an unstable media not suitable for long-term archival storage. The TMF records arrived just as the department was beginning to explore in earnest methods for accessioning born digital materials and transferring files to secure digital archival storage. As Special Collections has continued to acquire collections containing a variety of digital media formats, we continue to improve our processes for preserving, describing, and providing access to these materials.

Texas Music Festival Orchestra concert recording, June 8, 2004

Texas Music Festival Distinguished Artist Series Milestones and Celebration concert recording, June 8, 2004

For now, the digital concert recordings are minimally described in the finding aid with an overview of what is available, including the date range of recordings. Researchers, performers, or fans wanting to get more detail on the recordings—including dates, soloists and conductors, and pieces played for specific concerts—are encouraged to contact University Archivist Mary Manning with inquiries. With advance request, the concert recordings can be made available for listening on a computer in our reading room.

As they record a dynamic cultural and educational event, it is only appropriate that the Immanuel and Helen Olshan Texas Music Festival Records also help orchestrate a transition in the archives to a new era in collecting, preserving, and making accessible our cultural heritage.

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