The William R. Jenkins Architecture & Art Library presents four untitled paintings by second-year graduate student Angel Castelán. His exhibit, Drawn Superstition draws upon his Mexican ancestry and its animal mythology. “Being of Mexican heritage,” he writes, I grew up listening to all sorts of superstitions, and naturally, the majority of these were about animals. Brujas turn into lechuzas to carry you off at night. Don’t let the cara de niño bite you, or you’ll die. The urutau and black witch moths are harbingers of death; don’t let them get you. Thus, it is no surprise that certain animals are rejected or even feared to the point that they are killed when encountered. However, when these animals, who are either endemic or have ties that date back to the Aztecs, are pushed into being endangered or even extinct in the wild, it becomes a major issue. Through this series of drawings, I aim to capture these animals as they would normally be encountered; without the corruption of superstitious lens.”
On view through December 2017.
This comprehensive five-volume set from Yale University Press is now part of the Kenneth Franzheim II Rare Books Collection in the William R. Jenkins Architecture and Art Library. Patrons may contact firstname.lastname@example.org to schedule a time to view this definitive work.
On view in the William R. Jenkins Architecture & Art Library until November 2017. The artist, Isaac Farley, is now in the third year of an MFA program in painting.
My work is a form of storytelling. I want to tell stories of the lives of everyday people, like my family that is made up of people who were and are workers, either on ranches or in factories, and their desires, struggles, their triumphs, and tribulations. Stories are rooted in oral traditions and cave paintings and are the basis of human history. When I try to tell a story without words, I think in images. These images are influenced by movies, photography, and other art, and are most readily translated onto a two dimensional surface.
Often the work deals with America. Not so much what America is or what it was, but the ideal, and myth of America. America, the land of equal opportunity, where the truth is spoken, justice is fair and even, and where people live as they choose instead of what others impose on them.
Duality appears often in my work as innate and inborn opposing or balancing forces. People are simultaneously advanced and primitive, capable of great acts of kindness and cruelty, with the ability to create both great art and terrible destruction.
Vietnam Sinfonie oder Desastres de la Guerra by Wolf Vostell
Materials from the German artist Wolf Vostell’s Vietnam Sinfonie oder Désastres de la Guerra (Vietnam Symphony or Disasters of the War) are on display in the Architecture and Art Library’s upper mezzanine. This piece was performed at the Galerie Van de Loo in Munich in 1972. Vostell is known for his role in the Fluxus art movement in the late 1950s in Europe. He was the founder of the European Happening scene and was one of the first video and installation artists.
Art Revolution: Women Artists from Around the World
On display in the south wing are books dedicated to groundbreaking women artists from Africa, Asia, Europe, Latin America, and the United States. These women challenge traditional assumptions and engage us in conversations that were previously unthinkable through their creative work in video art, photography, performance art, paintings, textiles, sculptures, room installations, drawings, etchings, collages and beyond. This exhibit highlights many different art movements including Hannah Höch’s work as a Dada artist in the Weimar period, Carolee Schneemann’s Fluxus’ work, Ana Medieta’s involvement in the Body art movement, Helen Marten’s contemporary art earning her the 2016 Turner Prize, Germaine Arnaktauyok’s work stemming from her Inuk childhood, Lorna Simpson’s Conceptual Photography and avant-garde artist Yayoi Kusama’s installations.
The William R. Jenkins Architecture & Art Library is pleased to present Leah Bydalek’s first solo exhibition.
Fluorescent Lessons is on view from July to August 2017. Bydalek is a senior painting major at the University of Houston. Ms. Bydalek’s color palette was inspired by the pictorial artist Wayne Thiebaud, known for painting cakes. The artist also plays around with her memories and giving them a final twist.
I love it when the “truth” of a thing can be turned on its head to yield a novel experience. It shows us that perceptions are malleable and that people have the potential to change. This is the meeting point of the familiar and the unknown the beautiful and the disgusting the docile and the disobedient.
Interested in working for a museum? Join us for a friendly conversation with museum professional Javier Sanchez Martinez and learn about his career and curatorial research. Refreshments will be served.
RSVP to email@example.com
A Geniza by Raphael Rubinstein, Professor of Critical Studies at UH’s School of Art, is on display in the upper mezzanine. A Geniza is a limited edition poem in a box inspired by Cairo, Egypt. The poem is fragmented into more than 100 pieces of paper, using various colored paper and different fonts, resulting in an eclectic and visually stimulating display. The poem is meant to be pieced together by each reader to create a distinctive itinerary through Cairo’s history and meaning.
On display in the south wing exhibit case: the LEGO Architecture series, curated by Library Specialist Julia Kress (and assembled by her son). The LEGO structures are based upon great built works, such as the Sydney Opera House and the Villa Savoye, and complimented by books from the William R. Jenkins Architecture and Art Library collection.
An installation of drawings titled “The Shortest Distance, an Accidental Series,” which was on display in the William R. Jenkins Architecture and Art Library from February – August 2016, is now on view in the UH Digital Library. The artist, Talha Kabasakal, is a junior majoring in industrial design who plans to design cars after graduation. His series of works in ink on paper draws upon the visual culture of his native Turkey and his interest in car design. The artist has played upon the notion of a personal geographic dichotomy by juxtaposing two places, two different countries – the familiar and the foreign, the old and the new, the past and the future. Though each occupies discrete space, isolated at opposite sides of the composition, the two are connected by a bridge. The artist expresses the belief that there should always be a bridge, a connection representing hope, remembrance, love…
Are you interested in becoming more engaged at UH? Maximizing your potential as a student researcher? Getting the most out of campus research services? Meeting students in other art and design programs?
Come to Jenkins Library Student Ambassador gatherings in the Architecture and Art Library. These informal half-hour gatherings include a short demonstration of library equipment, resources, or research techniques, as well as conversation with other students about course work.
The Jenkins Library Student Ambassadors are student leaders with advanced research skills. They are here to help direct other art and design students to resources and research information, so that everyone has what they need to work efficiently and make the most of their time at UH.
Gatherings take place on the Architecture and Art Library’s upper mezzanine from 10:30-11 every Tuesday. The library is located on the first floor of the College of Architecture and Design building
Our fall schedule:
9/13 – Learn to use library equipment, including scanners, software, and the mysterious free printers
9/20 – How to find articles and building plans in print journals
9/27 – How to find articles and building plans in online journals
10/4 – How to store and manage data
10/11 – How to use the library’s free video streaming service
10/18 – How to find and use e-books
10/25 – How to get materials that aren’t in our collection (without spending money)
11/1 – How to find GIS data
11/8 – Highlights from the Franzheim Rare Books Room
11/15 – How to cite (quickly and painlessly)
11/22 – How to find and manage digital images
11/29 – Highlights from the fine art and architectural archives (RSVP required)
Negin Nayeri, President
Angela Rios, Vice President
Edith Villasenor, Treasurer
Christine Hinojosa, Secretary
“Old Galveston,” featuring reproductions of pen drawings by Emil Bunjes, is on display in the upper mezzanine. The drawings, which date from 1924-1939, are part of the Kenneth Franzheim II Rare Books Room collection.
A variety of pop-up books from our collection are on display in the south wing, including works of satire and works adapted from two-dimensional artworks.